WHERE: Indian Accent, The Manor, 77, Friends
Colony (West)
WHEN: 12 noon to 3 p.m.; 7 to 11 p.m.
DIAL: +91-11-43235151; +91-9871117968
AVG MEAL FOR TWO (MINUS
ALCOHOL): Rs
6,000+++
STAR RATING: *****
By Sourish
Bhattacharyya
WHEN A chef comes visiting from Nairobi, where does one take
him out for a meal? I suggested the Cyber Hub, which I regard as a foodie
continent that must be replicated in all cities where people have to wrestle
with dining-out options, but Karan Suri, whom I have known since the days when
he set up Le Cirque and Megu at The Leela Palace in Chanakyapuri, said his
wife's dream was to have Manish Mehrotra's warm doda burfi treacle tart at the Indian Accent.
The wife's will had to prevail (and who were we to strike
down a meal at one of the country's finest restaurants?), so we went to Indian
Accent for a lazy lunch over a bottle of Sula Dindori Reserve Shiraz 2010, my
favourite red wine, and an at-times disheartening conversation on the state of
hospitality education.
The conversation, enlivened by Manish, whom Karan had known
from their days on the sets of the India-Pakistan cookery show, Foodistan, was provoked by my
observation that the syllabus at hotel management institutes around the country
doesn't reflect the vast changes that have taken place in the business of food.
New concerns, new ingredients, new techniques and new talent are powering
restaurant menus, and age or experience is no longer a barrier to entry, as I
realised when I tasted the outstanding spread of Manish's acolyte, 26-year-old
Saurabh Udinia, at the Masala Library in the Bandra Kurla Centre (BKC), Mumbai.
It is this newness of thinking that oozes out of every
helping of Manish's winter menu executed by his 'other half' -- his old
team-mate Shantanu Mehrotra (they're not related). We were privileged to
preview it, for Manish was keen to know what we felt about it before unveiling
it to Indian Accent's patrons next week.
To give you an idea of the newness of the menu, I must start
with the dish that came at the end -- slow-cooked lamb shank in corn malai with pink peppers. It was Manish's
reinterpretation of the Kashmiri/Iranian aab
gosht, or mutton cooked with milk, saffron and spices, but the replacement
of milk with corn malai and the touch
of pink peppers gave the preparation a consistency and layers of texture that
are missing in the original.
The same inventive jugglery and interplay of textures was
evident in the chicken tikka
meatballs served on a bed of chopped tomato makhni.
You can in fact make the chicken tikka
meatballs at home by roughly chopping semi-cooked chicken tikka pieces, rolling them with chicken mince, and then frying the balls before cooking in a
makhni gravy. You'll find these a
welcome departure from uni-textured chicken mince balls.
The same degree of thinking out of the box has gone into the Kashmiri
morel mussallam (it's indeed a treat
to bite into a plum morel!) served with crushed roast walnuts and parmesan papad; duck khurchan and flamed foie gras
in a masala cornetto; fish baked with
Amritsari masala butter and served on
a bed of sarson ka sag and makki ki roti (I'll go back again just
for this dish); and pork belly cooked
in a gravy of walnuts and prunes. Even the amuse
bouche -- mini blue cheese naan
with corn shorba shot -- was a mini
gastronomic experience.
Indian Accent's guardian angels have retained the old
favourites, especially the meetha achar
Chilean spare ribs served with sun-dried mango and toasted kalonji seeds; the incredible anar
and churan kulfi sorbet; and the
unmissable kulchas (especially the
one filled with chilli hoisin duck). You can have all of these, or a bit of
some, but whatever you do, don't leave without my favourite dessert -- besan laddoo tart, mithai cheesecake and winter fruits. It's a fitting finale to a
meal that'll leave you in a state of levitation that's said to be induced by
substances of another kind!
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